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Nicolas Sutro's avatar

Estrangement and secrets: how interesting it will be to see these play out over two generations.

And how interesting to read this story with both the knowledge of its parent and what my reading memory (like muscle memory but, you know…reading…) conjures up of reading that parent.

A confession: I haven’t always got on with sequels by writers de nos jours to much loved novels by earlier writers. For me, they have fallen because they appear too leaden (PD James’s foray to Pemberley) or too knowing, or just a bit lost as one wonders how the characters from the ur text have ended up kind of kidnapped and self-consciously forced by the successor writer into behaving in ways that just jar too intrusively.

I don’t get that vibe here. It’s much more fun, with its own wit that somehow by your skill stands as your voice rather than a doomed, reverential, and tin eared tribute to Austen. Perhaps it’s the present tense (another confession…it’s never been my favourite) which brings a verve.

So, as Dame Joan Sutherland once said (to the delight of many an opera queen for its no nonsense meets camp) when talking about her approach to bel canto, “them’s my sentiments, anyway.”

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